Letters from Tomis

Book Review

Harvey, Samantha. The Western Wind. Jonathan Cape, 2018.

Samantha Harvey’s The Western Wind (2018) is a structurally inventive and thematically rich novel that blends historical fiction with psychological inquiry. Set in the isolated village of Oakham in 1491, the narrative unfolds in reverse chronological order over four days, beginning with Shrove Tuesday and moving backward to the day of Thomas Newman’s disappearance. This reverse structure invites readers to piece together the mystery alongside the protagonist, parish priest John Reve.  

Narrative Structure and Themes

The novel’s backward progression serves not only as a narrative device but also as a means to explore themes of memory, confession, and the elusiveness of truth. Reve, as the sole narrator, offers a perspective that is both intimate and unreliable, compelling readers to question the veracity of his account. The confessional framework allows for a deep dive into the moral and spiritual dilemmas faced by the characters, reflecting on the complexities of faith and human nature. 

Historical Authenticity and Anachronisms

While Harvey’s prose is lauded for its lyrical quality and atmospheric depth, there are historical inaccuracies disrupted the immersion for me. Instances such as the inclusion of a confessional box—a feature not common in English churches until the 16th century—and modern idioms in dialogue have been noted as anachronistic. These elements suggest a tension between the novel’s literary aspirations and its historical setting.   

Characterization and Psychological Depth

John Reve emerges as a complex figure, embodying the tensions between duty, doubt, and personal conscience. His introspective narration reveals a man grappling with his responsibilities to his parishioners and his own moral compass. The villagers, seen through Reve’s eyes, are portrayed with nuance, their confessions and interactions painting a portrait of a community fraught with secrets and spiritual unrest.  

The Western Wind has been praised for its elegant prose and innovative structure. It reminded me of the works of Hilary Mantel and Marilynne Robinson, especially Harvey’s ability to weave philosophical inquiry into the fabric of historical narrative. However, I do have reservations about the novel’s pacing and the potential for its stylistic choices to overshadow the central mystery.  

Conclusion

In The Western Wind, Samantha Harvey offers a meditative exploration of faith, truth, and the human psyche set against the backdrop of a medieval English village. While the novel’s historical deviations may challenge purists, its introspective depth and narrative innovation provide a compelling reading experience. For readers interested in character-driven stories that interrogate the nature of belief and the complexities of moral judgment, The Western Wind presents a thought-provoking journey.